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PART 1 - 1.1 - Genesis of the analytical model :: 1.2 - Description of the analytical model :: 1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner :: 1.4 - By way of a general conclusion


1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner ||
A) FORMULAS - 1. Definition of a formula :: 2. Presentation of the little catalogue of harmonic vocabulary :: 3. User's guide to the little catalogue and various instructions :: 4. Examples illustrating the little catalogue (motifs: 1, 2, 3, 4, 5, 6a, 6b, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, motifs in combination)
B) SEQUENCES - 1. Definition of a harmonic sequence :: 2. Classifying sequences :: 3. Melodic formulations: characteristic motifs :: 4. The tonal nature of the harmonic sequence :: 5.The tripartite structure of the harmonic sequence :: 6. A modulating sequence or not? :: 7. Diversification of harmonic content :: 8. The harmonic sequence as a place of subversion :: 9. Conclusion

4. EXAMPLES ILLUSTRATING THE LITTLE CATALOGUE

Motif no 18


Example 296 : L.V. Beethoven : 32 Variations on an Original Theme, WoO 80, Allegretto (mm 1-8)




Example 297 : A. Vivaldi : The Seasons, Summer, II (mm 287-298)




Example 298 : H. Purcell : Dido and Aeneas, Dido's lament (mm 17-20)




Example 299 : G. Tartini : Sonata for violin and piano in G minor, "The Devil's Trill", I (mm 1-4)




Example 300 : W.A. Mozart : Mass in C major, K. 317, Kyrie (mm 1-5)




Example 301 : F. Sor : Etude, op. 31, no 22 (mm 1-4)




Example 302 : W.A. Mozart : Fantasy for organ in F minor, K. 608




Example 303 : J. Brahms : Piano sonata in F minor, op. 5, I (mm 1-6)




Example 304 : F. Chopin : Piano sonata no 1, op. 4, IV, Presto (mm 9-16)




Example 305 : W.A. Mozart : String quartet, K. 465, IV, Allegro (mm 265-272)




Example 306 : F. Schubert : Trio for piano, violin, and cello, op. 99, II, Andante un poco mosso (mm 9-13)




Example 307 : G.Verdi : Il Trovatore, Act IV, no 14, Meno mosso come prima




Notice in the preceding example (307) the use of N, in root position and in a major key, preceded by VI m.m.

Example 308 : F. Chopin : Piano concerto no 1 in E minor, op. 11, I (mm 1-4)




Example 309 : W.A. Mozart : Piano sonata, K. 457, III, Allegro assai (mm 205-219)




Example 310 : F. Schubert : Winterreise, op. 89, no 20 (mm 77-83)




Example 311 : F. Schubert : Schwanengesang, D. 957, no 2 (mm 13-15)




Example 312 : W.A. Mozart : Don Giovanni, K. 527, Overture (mm 1-11)




Example 313 : J.S. Bach : The Well-Tempered Clavier, vol. II, Prelude no 2, BWV 871 (mm 17-19)




Example 314 : L.V. Beethoven : Piano concerto no 3, op. 37, I (mm 24-36)




Example 315 : L.V.Beethoven : Piano sonata, op. 54, Waldstein, I (mm 1-13)




 

motif no 19