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PART 1 - 1.1 - Genesis of the analytical model :: 1.2 - Description of the analytical model :: 1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner :: 1.4 - By way of a general conclusion


1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner ||
A) FORMULAS - 1. Definition of a formula :: 2. Presentation of the little catalogue of harmonic vocabulary :: 3. User's guide to the little catalogue and various instructions :: 4. Examples illustrating the little catalogue (motifs: 1, 2, 3, 4, 5, 6a, 6b, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, motifs in combination)
B) SEQUENCES - 1. Definition of a harmonic sequence :: 2. Classifying sequences :: 3. Melodic formulations: characteristic motifs :: 4. The tonal nature of the harmonic sequence :: 5.The tripartite structure of the harmonic sequence :: 6. A modulating sequence or not? :: 7. Diversification of harmonic content :: 8. The harmonic sequence as a place of subversion :: 9. Conclusion

4. EXAMPLES ILLUSTRATING THE LITTLE CATALOGUE

Motif no 1
a

Example 52 : F. Schubert : Valses sentimentales, op. 50, no 6 (mm 13-16)


a

 

Example 53 : J.S. Bach : The Well-Tempered Clavier, vol. I, prelude no 10, BWV 855 (mm 40-41)


Example 54 : J.S. Bach : The Well-Tempered Clavier, vol. I, fugue no 11, BVW 856 (mm 68-72)


Example 55 : J.S. Bach : The Well-Tempered Clavier, vol. I, prelude no 14, BWV 859 (mm 21-22)


Example 56 : J.S. Bach : The Well-Tempered Clavier, vol. I, prelude no 17, BVW 862 (mm 42-44)


Example 57 : R. Schumann : Kinderszenen, op. 15, no 3 (mm 3-4)


Example 58 : L. Boccherini : Cello Concerto in Bb major, G. 482, III, Allegro (mm 1-4)


Example 59 : J. Haydn : String Quartet, op. 74, no 3, I, Allegro (mm 54-58)


Example 60 : L. V. Beethoven : Piano Sonata, op. 27, no 2, III, Presto agitato (mm 141-143)


Example 61 : W.A. Mozart : Symphony in Eb major, K. 543, III, Allegretto (mm 25-32)


a

Example 62 : F. Chopin : Mazurka, op. 24, no 3 (mm 7-12)


a

Example 63 : C. Monteverdi : Opera Ariana, SV. 22, Lamento d'Ariane, Lento, no 1


a

Example 64 : F. Liszt : Du bist wie eine Blume, Largo (mm 15-19)


a

Example 65 : W.A. Mozart : Die Zauberflöte, K. 620, Act I, no 8, Allegro (mm 5-8)


Example 66 : L.V. Beethoven : Romance, op. 50, Andate Cantabile (mm 1-4)


Example 67 : L.V. Beethoven : Piano Concerto no 4, op. 58, Rondo, Vivace (mm 1-10)


Example 68 : L.V. Beethoven : "Kakadu Variations" Piano trio, op. 121a, Var. IX, Adagio espressivo (mm 5-8)


Example 69 : F. Haydn : String quartet, op. 20, no 5, I, Allegro moderato (mm 1-5)


Example 70 : J. Haydn : The Creation, no 14, Allegro (mm 8-12)


Example 71 : G. Verdi : La Traviata, Act I, no 6, Andantino (mm 13-16)


Example 72 : L.V. Beethoven : Piano concerto no 4, op. 58, Andante (mm 10-13)


Example 73 : G. Verdi : Il Trovatore, Act II, no 10, Andante (mm 6-8)


Example 74 : A.F. Lvov : Russian Hymn (mm 11-16)


Example 75 : J. Brahms : Waltz, op. 39, no 4 (end)



Example 76 : J. Haydn : The Creation, no 3, Allegro (mm 25-28)


Example 77 : R. Wagner : Tannhaüser, Act I, scene 3, Moderato (mm 15-19)


a

Example 78 : F. Chopin : Etude, op. 10, no 6, Andante (mm 50-53)


a

Example 79 : A Vivaldi : Concerto in D minor, Grave (mm 7-9)


a

 

Example 80 : F. Chopin : Waltz, op. 34, no 2, Lento (mm 77-80)


a

Example 81 : R Wagner : Fünf Gedichte no 4, Langsam (end)


a

motif no 2