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PART 1 - 1.1 - Genesis of the analytical model :: 1.2 - Description of the analytical model :: 1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner :: 1.4 - By way of a general conclusion


1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner ||
A) FORMULAS - 1. Definition of a formula :: 2. Presentation of the little catalogue of harmonic vocabulary :: 3. User's guide to the little catalogue and various instructions :: 4. Examples illustrating the little catalogue (motifs: 1, 2, 3, 4, 5, 6a, 6b, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, motifs in combination)
B) SEQUENCES - 1. Definition of a harmonic sequence :: 2. Classifying sequences :: 3. Melodic formulations: characteristic motifs :: 4. The tonal nature of the harmonic sequence :: 5.The tripartite structure of the harmonic sequence :: 6. A modulating sequence or not? :: 7. Diversification of harmonic content :: 8. The harmonic sequence as a place of subversion :: 9. Conclusion

4. EXAMPLES ILLUSTRATING THE LITTLE CATALOGUE

Motif no 12



Example 229 : J. Brahms : Symphony no 1, op. 68, IV, Più Allegro (mm 11-19 from the end)




 

Example 230 : R. Schumann : Dichterliebe, op. 48, no 7 (mm 1-12)




a

Example 231 : R. Wagner : Tannhaüser, Act I, Scene 3, Moderato (mm 1-4)




a

 

Example 232 : J.S. Bach : The Well-Tempered Clavier, vol. I, Fugue no 13, BWV 858 (mm 33-35)




 

Example 233 : J.S. Bach : Sonata for violin and keyboard, BWV 1016, III, Adagio ma non tanto (mm 1-5)




a

Example 234 : J.S. Bach : Orgelbüchlein, BWV 622, "O Mensch, bewein' dein' Sunde gross", Adagio assai (end)




Example 235 : J.S. Bach : Partita no 2, BWV 826, Sarabande (mm 21-24)




a

Example 236 : R. Schumann : Frauenliebe und -leben, op. 42, no 3 (mm 9-15)




Example 237 : F. Schubert : String quartet, D. 173, I (mm 5-8)




Example 238 : L.V. Beethoven : Piano concerto no 4, op. 58, Vivace (mm 1-10)




Example 239 : W.A. Mozart : Piano sonata, K. 284, III (mm 5-8)




Example 240 : R. Wagner : Tannhaüser, Act I, Scene 3, Moderato (mm 10-14)




Example 241 : J. Haydn : The Creation, no 3, Allegro moderato (mm 34-37)




Example 242 : F. Chopin : Nocturne, op. 48, no 1 (mm 1-4)




Example 243 : A.F. Lvov : Russian Hymn (mm 6-8)




Example 244 : E. Grieg : Solveig's lied, op. 23, no 1 (mm 6-9)




motif no 13