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PART 1 - 1.1 - Genesis of the analytical model :: 1.2 - Description of the analytical model :: 1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner :: 1.4 - By way of a general conclusion


1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner ||
A) FORMULAS - 1. Definition of a formula :: 2. Presentation of the little catalogue of harmonic vocabulary :: 3. User's guide to the little catalogue and various instructions :: 4. Examples illustrating the little catalogue (motifs: 1, 2, 3, 4, 5, 6a, 6b, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, motifs in combination)
B) SEQUENCES - 1. Definition of a harmonic sequence :: 2. Classifying sequences :: 3. Melodic formulations: characteristic motifs :: 4. The tonal nature of the harmonic sequence :: 5.The tripartite structure of the harmonic sequence :: 6. A modulating sequence or not? :: 7. Diversification of harmonic content :: 8. The harmonic sequence as a place of subversion :: 9. Conclusion

4. EXAMPLES ILLUSTRATING THE LITTLE CATALOGUE

Motif no 7

Example 179 : J.S. Bach : The Well-Tempered Clavier, vol. I, Fugue no 17, BWV 862 (mm 13-14)



Example 180 : L.V. Beethoven : Trio for violin, cello, and piano, op. 9, no 2, Andante (mm 1-4)


Example 181 : F. Schubert : An die Musik, op. 88, no 4, Mässig (mm 8-9)



Example 182 : E. Grieg : Solveig's lied, op. 23, no 1 (mm 5-8)


Example 183 : R. Wagner : Tannhaüser, Act I, Scene 2, Allegro




Example 184 : H. Wolf : Wiegenlied (mm 1-4)


Example 185 : J. Haydn : String quartet, op. 76, no 4, Allegro (mm 7-12)



Example 186 : L.V. Beethoven : Rondo, op. 51, no 1 (mm 4-8)




Example 187 : J.S. Bach : The Well-Tempered Clavier, vol. I, Prelude no 20, BWV 865 (mm 11-13)



Example 188 : G.F. Handel : Messiah, no 2, Larghetto (mm 1-4)



Example 189 : F. Mendelssohn : Elijah, no 28, Andante (mm 10-12)




 

Example 190 : J. Haydn : Piano sonata, Hob. XVI:23, II (mm 13-15)



Example 191 : J. Brahms : Ballade, op. 10, no 4, Andante con moto (mm 5-12)



Example 192 : F. Mendelssohn : Octet, op. 20, no 1, I, Allegro moderato ma con fuoco (mm 11-15)



Example 193 : R. Schumann : Symphony no 1, op. 38, I (mm 85-88)



a

Example 194 : R. Strauss : Der Rosenkavalier, Act I, Introduction



Example 195 : F. Chopin : Etude, op. 10, no 1 (mm 12-16)



Example 196 : R. Schumann : Piano concerto, op. 54, III, Allegro vivace (mm 37-40)





motif no 8