1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner ||
A) FORMULAS - 1. Definition of a formula :: 2. Presentation of the little catalogue of harmonic vocabulary :: 3. User's guide to the little catalogue and various instructions :: 4. Examples illustrating the little catalogue (motifs: 1, 2, 3, 4, 5, 6a, 6b, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, motifs in combination)
B) SEQUENCES - 1. Definition of a harmonic sequence :: 2. Classifying sequences :: 3. Melodic formulations: characteristic motifs :: 4. The tonal nature of the harmonic sequence :: 5.The tripartite structure of the harmonic sequence :: 6. A modulating sequence or not? :: 7. Diversification of harmonic content :: 8. The harmonic sequence as a place of subversion :: 9. Conclusion

4. EXAMPLES ILLUSTRATING THE LITTLE CATALOGUE

Motif no 13

Example 245 : F. Mendelssohn : Songs without words, op. 53, no 3 (mm 6-8)

Example 246 : J. Haydn : Piano sonata, Hob. XVI:35, I, Allegro con brio (mm 13-16)

Example 247 : D. Buxtehude: Prelude and Fugue for Organ, Prelude (mm 13-15)

 

Example 248 : F. Kuhlau : Sonatina for piano, op. 88, no 3, Allegro finale (mm 47-54)

Example 249 : J.S. Bach : English suite no 3, BWV 808, Gavotte (mm 5-8)

Example 250 : W.A. Mozart : String quartet, K. 465, IV (mm 265-272)

Example 251 : C.P.E. Bach : Württemberg Sonata no 3, I (mm 33-35)

Example 252 : L.V. Beethoven : Piano sonata, op. 53, II, Adagio molto (mm 6-9)

Example 253 : D. Buxtehude : Prelude and Fugue, Prelude (mm 11-13)

Example 254 : G. F. Handel : Messiah, no 32, Air (end)

Example 255 : W.A. Mozart : Concerto for clarinet, K. 622 (mm 255-262)

Example 256 : G. Verdi : Aida, Act II, Introduction (mm 9-13)

Example 257 : F. Liszt : Consolation no 4 (mm 8-9)

Example 258 : F. Chopin : Nocturne, op. 55, no 1 (mm 78-81)

motif no 14