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PART 1 - 1.1 - Genesis of the analytical model :: 1.2 - Description of the analytical model :: 1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner :: 1.4 - By way of a general conclusion


1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner ||
A) FORMULAS - 1. Definition of a formula :: 2. Presentation of the little catalogue of harmonic vocabulary :: 3. User's guide to the little catalogue and various instructions :: 4. Examples illustrating the little catalogue (motifs: 1, 2, 3, 4, 5, 6a, 6b, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, motifs in combination)
B) SEQUENCES - 1. Definition of a harmonic sequence :: 2. Classifying sequences :: 3. Melodic formulations: characteristic motifs :: 4. The tonal nature of the harmonic sequence :: 5.The tripartite structure of the harmonic sequence :: 6. A modulating sequence or not? :: 7. Diversification of harmonic content :: 8. The harmonic sequence as a place of subversion :: 9. Conclusion

4. EXAMPLES ILLUSTRATING THE LITTLE CATALOGUE

Motif no 6a



Example 143 : F. Chopin : Etude, op. 10, no 7 (mm 8-9)



Example 144 : D. Scarlatti : Sonata no 15 (mm 61-64)



Example 145 : J.P. Rameau : Gavotte in A minor, 1st double (mm 5-8)


Example 146 : J.S. Bach : Toccata in D major, BWV 912, Allegro (mm 10-14)



 

Example 147 : J.S. Bach : The Well-Tempered Clavier, vol. I, Fugue no 18, BWV 863 (mm 1-11)



Example 148 : J. Haydn : Piano sonata, Hob. XVI:34, I, Presto (mm 67-71)



Example 149 : L.V. Beethoven : String quartet, op. 18, no 6, Adagio (mm 5-8)



Example 150 : L.V. Beethoven : Symphony no 3, op. 55, IV, Allegro molto (mm 104-107)


 

Example 151 : F. Schubert : Symphony no 5, D. 485, I, Allegro (mm 37-40)





Example 152 : D. Scarlatti : Toccata in D minor, L. 422, Allegro (mm 10-18)



Example 153 : R. Schumann : Frauenliebe und -leben, op. 42, no 3 (mm 37-44)


Example 154 : F. Schubert : Piano sonata, D. 959, I, Allegro (mm 97-100)


 

Example 155 : W.A. Mozart : Piano sonata in D minor, K. 311, III (mm 219-221)




Example 156 : C.P.E. Bach : Württemberg Sonata no 1, III, Allegro assai (mm 66-70)




Example 157 : W.A. Mozart : String quartet, K. 421, IV, Allegro ma non troppo (mm 6-8)


Example 158 : F. Schubert : Symphony no 5, D. 485, Andante con moto (mm 3-4)




Example 159 : J.S. Bach : St Matthew's Passion, BWV 244, no 26 (end)





Example 160 : L.V. Beethoven : Ich liebe dich, Andante (mm 5-8)



Example 161 : L.V. Beethoven : Piano sonata, op. 14, no 2, Andante (mm 15-16)



Example 162 : F. Schubert : Sonatina for violin and piano, op. 137, no 2, III (mm 9-12)


Example 163 : L.V. Beethoven : Symphony no 7, op. 92, II, Allegretto (mm 127-130)


Example 164 : R. Schumann : Novelette, op. 21, no 8, Meno mosso (262-264)


Example 165 : W.A. Mozart : Trio for piano, violin and cello, K. 542, III, Allegro (mm 121-128)


Example 166 : F. Chopin : Piano sonata no 3, op. 58, I (mm 17-19)



Example 167 : J. Brahms : Symphony no 1, op. 68, II, Andante sostenuto (mm 59-60)



 

Example 168 : R. Schumann : Carnaval, op. 9, no 4, Valse noble (end)




Example 169 : W.A. Mozart : Die Zauberflöte, K. 620 (end)


Example 170 : R. Schumann : Arabeske, op. 18 (mm 12-16)



a

motif no 6b