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Phase 1

User's Guide

I - Genesis of the analytical model

1. Origin
2. Sources

II - Description of the analytical model

1. The generative pair
__Related issue: the Neapolitan Sixth
2. The fundamental structure
3. The discrete grouping unit
4. The mechanism of substitution
5. The mechanism of interpolation
6. The mechanism of deviation
7. Some rules of the game concerning H.S.U. division
8. Application to two texts

III - A practice of analysis in the tonal harmonic discourse from Bach to Wagner

A) FORMULAS -
1. Definition of a formula
2. Presentation of the little catalogue of harmonic vocabulary
3. User's guide to the little catalogue and various instructions
4. Examples illustrating the little catalogue

motifs:
1
2
3
4
5
6a
6b
7
8
9
10
11
12
13
14
15
16
17
18
19
20
Motifs in combination

B) Sequences -
1. Definition of a harmonic sequence
2. Classifying sequences
3. Melodic formulations: characteristic motifs
4. The tonal nature of the harmonic sequence
5. The tripartite structure of the harmonic sequence
6. A modulating sequence or not?
7. Diversification of harmonic content
8. The harmonic sequence as a place of subversion
9. Conclusion

IV - By way of a general conclusion

Analysis of the Confutatis from Mozart's Requiem

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