1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner ||
A) FORMULAS - 1. Definition of a formula :: 2. Presentation of the little catalogue of harmonic vocabulary :: 3. User's guide to the little catalogue and various instructions :: 4. Examples illustrating the little catalogue (motifs: 1, 2, 3, 4, 5, 6a, 6b, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, motifs in combination)
B) SEQUENCES - 1. Definition of a harmonic sequence :: 2. Classifying sequences :: 3. Melodic formulations: characteristic motifs :: 4. The tonal nature of the harmonic sequence :: 5.The tripartite structure of the harmonic sequence :: 6. A modulating sequence or not? :: 7. Diversification of harmonic content :: 8. The harmonic sequence as a place of subversion :: 9. Conclusion

4. EXAMPLES ILLUSTRATING THE LITTLE CATALOGUE

Motif no 10

Example 211 : J. S. Bach : Cello suite no 4, BWV 1010, Prelude, end (mm 82-91)

 

Example 212 : L.V. Beethoven : String quartet, op. 18, no 5, I (mm 7-11)

Example 213 : F. Schubert : Quintet in C major, op. 163, D. 956, II, Adagio (mm 87-91)

Example 214 : H. Berlioz : L'enfance du Christ, op. 25, no 13, Allegretto (mm 9-11)

Example 215 : J. Haydn : String quartet, op. 76, no 3, I (mm 3-4)

Example 216 : J. Haydn : Piano sonata, Hob. XVI:52, I, Allegro moderato (mm 1-2)

Example 217 : L.V. Beethoven : Piano sonata, op. 49, no 2, I (mm 1-4)

Example 218 : R. Schumann : Die beiden Grenadiere, op. 49 (end)

Example 219 : F. Schubert : Quartettsatz, D. 703, op. posthumous, Allegro (mm 13-16)

Example 220 : F. Chopin : Nocturne, op. 37, no 1 (mm 88-91)

Example 221 : F. Chopin : Ballade no 1, op. 23, Moderato (mm 83-86)

Example 222 : J. Brahms : A German Requiem, op. 45 (mm 1-5)

Example 223 : J.S. Bach : The Well-Tempered Clavier, vol. I, Fugue no 7, BWV 852 (mm 35-37)

 

motif no 11