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PART 1 - 1.1 - Genesis of the analytical model :: 1.2 - Description of the analytical model :: 1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner :: 1.4 - By way of a general conclusion


This electronic edition was made possible through grants from the VINCI program for part 1 and from the Fonds d'initiatives pédagogiques et d'environnement numérique (Fund for Educational Initiatives and Digital Environment) for part 2.

Our thanks also go to:

        Jacques Boucher, Dean of the Faculty of Music at the University of Montreal

        Sylvain Caron, Vice- Dean of the Faculty of Music at the University of Montreal

        Johanne Beaudin, Director of Administration of the Faculty of Music at the University of Montreal

        Myke Roy, coordinator of the electroacoustic sector of the Faculty of Music at the
        University of Montreal

        Annick Hernandez, senior media consultant, Office of Research, Development, and
        Valuation at the University of Montreal

        Christiane Melançon, librarian at the Faculty of Music, University of Montreal

        Maxime Goulet, for technical support

        Dominique Bassal, for technical support

Credits for Part 1:

    Translation from French to English:

Adam Johnson
Alison Kilgannon

    Pianists :

                Michel-Alexandre Broekaert
                Matthieu Fortin
                Simon Larivière
                Pascale Roy

    Recording technician:

                Stefan Kozminchuk

    The Confutatis excerpt from Mozart's Requiem is from the DVD "Ode to a Requiem", performed
     by Les Violons du Roy and reproduced on this site courtesy of Bernard Labadie.

Credits for Part 2 (in french only):

    Pianists :

                Matthieu Fortin
                Jacynthe Riverin

     Recording technician:

                Guillaume Barrette

 

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