1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner ||
A) FORMULAS - 1. Definition of a formula :: 2. Presentation of the little catalogue of harmonic vocabulary :: 3. User's guide to the little catalogue and various instructions :: 4. Examples illustrating the little catalogue (motifs: 1, 2, 3, 4, 5, 6a, 6b, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, motifs in combination)
B) SEQUENCES - 1. Definition of a harmonic sequence :: 2. Classifying sequences :: 3. Melodic formulations: characteristic motifs :: 4. The tonal nature of the harmonic sequence :: 5.The tripartite structure of the harmonic sequence :: 6. A modulating sequence or not? :: 7. Diversification of harmonic content :: 8. The harmonic sequence as a place of subversion :: 9. Conclusion

2. THE LITTLE CATALOGUE

The little catalogue of harmonic vocabulary found below regroups a collection of formulas that articulate the most common gestures employed by tonal composers from Bach to Wagner. This consistency of this material is due to the mere fact that these composers speak a common language, namely the tonal language, independent of any considerations regarding style or period.

3. USER'S GUIDE TO THE LITTLE CATALOGUE AND VARIOUS INSTRUCTIONS