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PART 1 - 1.1 - Genesis of the analytical model :: 1.2 - Description of the analytical model :: 1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner :: 1.4 - By way of a general conclusion
1.2 - Description of the analytical model || 1. The generative pair and a related issue: the Neapolitan sixth :: 2. The fundamental structure :: 3.The discrete grouping unit :: 4. The mechanism of substitution :: 5. The mechanism of interpolation :: 6.The mechanism of deviation :: 7. Some rules of the game concerning H.S.U. division :: 8. Application to two texts
Example 43 : R. Schumann : Albumblätter, op. 124, no 4, Walzer H.S.U. DIVISION: Example 44 Example 45 Example 46 Example 47 Example 48 Example 49 Example 50 Example 51
Example 43 : R. Schumann : Albumblätter, op. 124, no 4, Walzer
H.S.U. DIVISION:
Example 44
Example 45
Example 46
Example 47
Example 48
Example 49
Example 50
Example 51
II - A practice of analysis in the tonal harmonic discourse from Bach to Wagner