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PART 1 - 1.1 - Genesis of the analytical model :: 1.2 - Description of the analytical model :: 1.3 - A practice of analysis in the tonal harmonic discourse from Bach to Wagner :: 1.4 - By way of a general conclusion


1.2 - Description of the analytical model || 1. The generative pair and a related issue: the Neapolitan sixth :: 2. The fundamental structure :: 3.The discrete grouping unit :: 4. The mechanism of substitution :: 5. The mechanism of interpolation :: 6.The mechanism of deviation :: 7. Some rules of the game concerning H.S.U. division :: 8. Application to two texts

Example 43 : R. Schumann : Albumblätter, op. 124, no 4, Walzer


H.S.U. DIVISION:

Example 44


Example 45


Example 46


Example 47


Example 48


Example 49


Example 50


Example 51



II - A practice of analysis in the tonal harmonic discourse from Bach to Wagner